About ME
“Brother Behind the Bristles”
Artist Statement
Arshaad’s conviction is to create mesmerizing public art and awe inspiring museum collectibles that emanate his ephemeral art journey from the blight of bondage to the brink of oblivion and beyond in hopes to educate, empower & inspire the next generation of artists, fathers & community leaders promoting compassion, self reflection & upward mobility!
Arshaad Norwood’s work as a muralist is a profound synthesis of his personal history, particularly his transition from a childhood in foster care to a prominent artist and educator. His experiences have directly influenced his artistic mission, themes of resilience, and his approach to community engagement.
Art as a Tool for Healing and Advocacy
Arshaad views his creative output as a essential tool for personal healing and a platform for community empowerment.
Foster Care Advocacy: Having lived at Christian City as a teenager, he returned to paint a massive 3,000-square-foot mural titled "Loving People, Loving People". This work is dedicated to "the folks that people forgot" within the foster care system, symbolizing a "full circle" moment of bringing hope back to his origins.
Processing Trauma: His art serves as a catalyst to address visceral issues he personally encountered, including family separation, abandonment, and grief. He transforms these "blights" into messages of "healing Grace".
Mental Health Promotion: Pieces like "Through the Storm" are explicit efforts to promote mental health wellness and suicide prevention, reflecting his belief in art as therapy.
Themes of Resilience and Upward Mobility
The "resurgent energy" Norwood felt while sharpening his craft at LaGrange College now permeates his mural style.
The Quest for Freedom: Much of his work centers on an "insatiable quest for freedom," specifically aimed at empowering the next generation from underprivileged communities.
Upward Mobility: Projects like the "Living Wall" are designed to inspire social and economic mobility, helping others find strength during difficult times.
Refuge and Origin: His proposal for the Graceland mural is deeply personal, as Christian City was his "2nd refuge" following his family's "exodus" from Philadelphia.

